![]() ![]() Please familiarize yourself with the general Reddiquette rules here. ![]() Community Rules Practice Good Reddiquette Soon, the three factions will discover their political machinations are the least of their worries when confronted with a conspiracy that could threaten all of humanity. Set a few hundred years in our future, the fragile relationship between Earth, Mars and the Belt is reaching a tipping point. That’s something we’ll be implementing very soon.The Expanse is a space opera, mystery-sci-fi drama television series based on the bestselling novels of the same name by James S. Now, as we have access to the broader ftrack team around the world, we have access to more resources for development and also to be able to offer full 24-hour support. Rory McGregor: It’s worth pointing out that, as we’ve only had the Adelaide office before, we’ve never really had full 24-hour support at Cospective. Both the team here in Stockholm and in Adelaide are really excited to work on some upcoming stuff. But, of course, that will be one of the outcomes of this acquisition. We are, as Rory said, working on a few exciting things which are too early to comment on. This approach has been key to the whole discussion surrounding the acquisition. The global ftrack organization is also looking to hire in the US, Europe, and China in 2020. ![]() We will even grow the team in Adelaide to support this, from development to support, sales, and marketing. The team will remain in Adelaide, doing what they do best. To reiterate, one of the reasons for this acquisition was, naturally, to gain the domain expertise from the Cospective team to see how they could help to grow the ftrack platform, not for us to take them on and make changes to a winning formula. We will continue working with third-party vendors: even those who are ftrack competitors. This will be our core aim for any developments tackled in the future.įtrack and cineSync already share some integrated features.įredrik Limsater: I’d like to echo what Rory said and confirm that there are to be no changes to cineSync or the team. Ultimately, it’s all about the customer, and looking at ways to increase interactivity between artists, directors, producers and everyone else making films. But like I said, it’s really about taking the technology that we already have and leveraging the compatibility and synergy between our two tools. In terms of future development, it’s early days for us to be able to talk about anything that we’re looking to do together. You can buy cineSync separately from ftrack, and you can continue using cineSync with other platforms, whether it’s Shotgun or something else. We’re not looking to bundle cineSync into ftrack in terms of pricing. From day one, we’re still offering cineSync and Frankie as we always have. Rory McGregor: As far as cineSync customers are concerned, nothing changes at all. They want to let us continue doing what we’re doing, to work with our customers and build the product in line with our vision, while also giving us more opportunity to grow and evolve in new ways at the same time.Ī cineSync session screengrab from ‘Pacific Rim: Uprising’.ī&a: Usually when things like this happen in the visual effects community, the first things people ask are, is it going to be status quo? Do I need to do anything different? And also, what new things are coming? Secondly, ftrack and Fredrik specifically said that they really respect the products that we create, and that they’re not looking to buy the technology “for parts” to just incorporate into what they’re doing. It’s not always that you find people in the industry that, company to company, really match. In addition to doing trade shows together, we socialize and enjoy dinners together. And we’re already like a team, culturally. Our integration with the platform was a really great fit. To echo what Fredrik said, we’ve really liked working with ftrack. And in fact, potentially beyond that as well, because ftrack is looking into a number of different and exciting areas. For us, that means not just growing our product via traditional post-production review and approval, but via the interactivity through the entire process of making films and TV, from start to end. When Fredrik approached us, it immediately felt like a great opportunity to take what we do and leverage that using a new platform. But we’re always looking to innovate and to create new opportunities new ways to enable people to interact with each other. It’s used in basically every facility on nearly every major motion picture that gets made. Rory McGregor (current CEO, cineSync and soon to be general manager, ftrack Australia): From our point of view, cineSync’s done really well over the years. ![]()
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